Yo Pa Ka Bare N [Kanaval 2020] • Sweet Micky

ADDED BY DIDIER (FEB 8, 2020 AT 12:01 AM) 6,470 VIEWS EDIT

Genre: Kanaval
Year: 2020

Pote kole
Pou Ayiti ka dekole

Kanaval 2020 Sweet Micky

Peyi a lòk la pa bon pou mwen (4x)
Peyi a lòk la pa bon pou mwen
Timoun bezwen ale lekòl yo pa ka al lekòl
Peyi a lòk la pa bon pou mwen
Djaspora bezwen vini lakay yo pa ka vin lakay
Peyi a lòk la pa bon pou mwen
Men ti machann yo men yo bezwen travay
Peyi a lòk la pa bon pou mwen
Taxi moto yo men yo pa ka travay
Peyi a lòk la pa bon pou mwen
Chofè kamyonèt yo men yo bezwen travay
Peyi a lòk la pa bon pou mwen
Opozisyon ou mechan twòp opozisyon

Se bow (3x)
Ayisyen chanje mantalite w Ayiti pa chanje
Ayisyen leve kanpe Ayiti pa chanje

Sant lan yo pran, se sant lan yo pran

Mazaza yo lòk li – peyi a
Pou regle zafè yo
Vagabon yo lòk li – peyi a
Pou regle zafè yo

On pakèt mechan
Mechan yo sispèk
N ap veye yo tou

Mazaza yo lòk li – peyi a
Pou regle zafè yo
Vagabon yo lòk li – peyi a
Pou regle zafè yo

Twòp ipokrizi
Men Ayiti pap chanje konsa, fò n chanje dabò

Woy (3x)
Devann yo rete bouch pe, dèyè n yo tonbe pale
Woy (3x)
Bondye pou nou pèp la avè n mezanmi gade yo

Ah ah ah ah ah
Woy gade kijan n pase sou yo vre yo mele
Ay gade kouman n pase sou yo vre nou konnen yo
Nou pase n pase n pase sou yo vre nou woule yo

Bon w konnen s on piti w ye w ap pale fò konsa

Ou genlè pè
Men se nòmal pou w pè wi
Ou genlè pè
Fò w di m kisa w pè la
Ou genlè pè
Tande

Barikad pa ka bare m, kawotchou pa ka bare m
Lakrimojèn pa ka bare m Ti Mona pa ka bare m
Poko gen moun ki ka bare m

Yo pa ka bare m
Peyi a pa pou pèsonn
Yo pa ka bare m
Lakou a pou nou de
Yo pa ka bare m

Barikad pa ka bare m, kawotchou pa ka bare m
Lakrimojèn pa ka bare m Ti Mona pa ka bare m
Poko gen moun ki ka bare m

Yo pa ka bare m
Lakou a pou nou de
Yo pa ka bare m
Peyi a se pou nou l ye
Yo pa ka bare m
Ann f on chita pale pou n jere bagay yo frè

Se le kabrèt la kole wa gen pou w konn tout non bèf yo
Se lè w nan move moman wa gen pou w konn bon zanmi yo

Sa k pa vle lekòl gratis – bay peyi a
Sa k pa vle sekirite yo – bay peyi a
Sa kap sal imaj peyi m nan – bay peyi a
Mechan kap boule mache yo – bay peyi a

Se le kabrèt la kole wa gen pou w konn tout non bèf yo
Se lè w nan move moman wa gen pou w konn bon zanmi yo

Sa kap vòlè zafè moun yo – bay peyi a
Kraze biznis ti machann yo – bay peyi a
Sa k ap sal imaj peyi m yo – bay peyi a
Sa kape boule mache yo – bay peyi a

Mechan
Ou mechan
Bay peyi a mechan

Biw

Micky rive men sa son goudougoudou
Cap Haitien fann nan bouda kamoken yo

Nou rive
Nou rive
Men nou

Men bandi yo
Bandi legal yo

Woy nèg yo fe gwo bagay vre pou ti lajan
Woy

Ay ay ay – Cap Haitien pou l ye
Ay ay ay – pa vin kale dada w la
Ay ay ay – peyi a se pou nou l ye
Ay ay ay – sispann kale dada w

Ou fou
Fou fout fou

Ou fou- Micky nan town nan
Ou fout fou – Micky sou beton an
Ou fou – men nou nan vil la
Ou fout fou – Micky nan dada w
Ou fou
Ou fout fou

Men bandi yo
Bandi legal yo

Mache
Wach manman wi cheri

Sant lan yo pran
Se sant lan yo pran


BIOGRAPHY
  • Michel Martelly, better known as "Sweet Micky", was born February 12, 1961 in Port-au-Prince, Haïti, He is a haitian performing and recording artist, composer, and musical sociopolitical activist. Martelly served as President of Haiti after winning the presidential election in 2011. Martelly is more popularly and affectionately known as "Sweet Micky", a moniker sometimes used interchangeably to refer to himself as well as his band (with original members, guitar player Alex Tropnas and bass player Welton Desire).

    Michel Martelly has been heralded as a pioneer of a unique brand of kompas music, a style of Haitian dance music sung in Haitian Creole language. Originally, compas was a fusion of Afrolatin jazz and African/Haitian folkoric rhythms, and was traditionally played by large bands composed of numerous group members and instrument sections. Martelly, a keyboardist and the self-proclaimed "bad boy" President of Compas, popularized a nouvelle generation, or "new generation" style, of smaller bands with few members that relied predominantly on synthesizers and electronic instruments to reproduce a fuller sound. Martelly's and Sweet Micky's live performances and recordings are sometimes laced with obscenities and humorous sociopolitical commentary by Martelly. Outlandish and outspoken, Martelly has been known to drink publicly while performing in wigs, costumes, diapers, and Scottish kilts, and occasionally removed his own attire while performing. While arguably the most recognized and applauded musician and public personality in Haiti, Martelly's performance style has sometimes ignited controversy throughout the Haitian diaspora.